Dead Cross @ First Ave 09/19/17

I will do my best not to get too lengthy with this but there is a lot of history and some major players involved.

Dead Cross is a new band with two very influential members. If you are unaware of who Faith No More are then shame the F*CK on you. They are hands-down one of the most influential bands in music. The frontman for Faith No More, Mike Patton, just happens to be the front man for Dead Cross and several other bands – Mr. Bungle, Lovage, Fantomas. Patton is one of the most versatile singers in music history and his vocal range can and will go from a smooth jam to a complete spastic lunatic. I encourage any younger readers to check out some of the above-mentioned bands.

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Dave Lombardo is formally of the band Slayer and current drummer for Suicidal Tendencies. Slayer is without question the most influential band in heavy music. Dave is also one of the most revered and badass drummers of all time.

Without intention, Maia and I made it in time to catch the opening act Secret Chiefs 3. I’m going to be short: They’re really f*cking loud – the drummer hits like a freight train. Also, an electric mandolin?

As the main room began to fill up, I was not concerned about coming out of mosh retirement tonight. I questioned whether this was going to be worth the late night with having to work at 5 am and Maia having classes the next day. As the infamous screen in the main room rolls up, Dead Cross came out swinging hard. Patton led the charge with his Hawaiian shirt, menacing lurch and spastic vocals. Lombardo was tucked behind a modest Tama drum kit in comparison to his days in Slayer, nonetheless, he beat those skins into utter submission. They blasted through their entire album in all of 40 minutes.

As the band took the stage for the encore, Lombardo started to play the opening to “Raining Blood” which is one of Slayers biggest songs. This got the room all worked up in frenzy. Just as the main guitar hook comes in, they stop and go right into “Epic”, Faith No More’s biggest hit. Patton utters the vocal hook and stops, moving right into their now famous rendition of the classic Dead Kennedys’ song “Trump Nazi Punks F*ck Off” to end the night. To answer my earlier question about a late show on a weekday night, f*cking right it was worth it.

I would like to thank my baby girl, Maia, for enduring yet another one of my concerts. You’re a good sport and good company. And to Dead Cross, for the tickets and allowing Maia to get some truly rad pictures!

Words by Joel Jacobson. Photos by Maia.

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Conor Oberst with Phoebe Bridgers @ The Palace Theater 9/07/17

While I’m admittedly not the biggest fan of Conor Oberst or Bright Eyes, and quite honestly was a little more excited that I was going to shoot at The Palace Theater, I still really enjoyed last night.

Before I get into all the music, I just want to take a minute to say WOW. The Palace Theater is hands down the most beautiful venue I’ve ever been to, I felt like I was watching the show in a castle the whole time and the ceilings reminded me of some very recent photos of the magic Norwegian afterworld (See here).

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Phoebe Bridgers opened the show softly with her heart-wrenchingly personal songs. While I had never heard her before, I fell in love with her voice as much as the fact that she looks like if Zosia Mamet and Tavi Gevinson had a cool, songbird child. Bridgers reminded me a lot of Julien Baker, and as she told us later in her set, she has in fact been on tour with her already.

Bridgers ended her set with her latest release, “Emotional Motion Sickness,” introducing it with, “this song is about f*cking someone you don’t like.” Her debut album, Stranger In The Alps is due out in just a few weeks on September 22nd. Fans of Julien Baker, Margaret Glaspy, Lady Lamb, etc. – Phoebe Bridgers is for you.

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Conor Oberst took that stage, accompanied by The Felice Brothers as his band, much to the audiences delight (I can’t tell if people were yelling really, really loud or if the acoustics in the theater were just that good). “You Are Your Mother’s Child” meant something really special when I was fifteen and watched Stuck in Love for the first time, and while the meaning may have faded for me a bit, it was definitely still something special to see Oberst perform it live.

This audience was a split. Older couples nodding their heads to the music, maybe a hand gently touching the other person’s shoulder during a tender song here and there. And young professional couples drinking and dancing like there’s no such thing as a quarter life crisis or any other worry for that matter. Young indie folk-rock fans are funny because they get kind of rowdy and yell a lot, which seems uncalled for at such an easy-listening concert.

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My favorite part, hands down, was when Bridgers came back on stage and sang “Lua” with Oberst, a song that he told us he was burnt out on performing until he started singing it again with Bridgers. By this point in the show Oberst had already gone on one tangent about the current state of our nation and when he kept kissing Bridgers’ cheek, followed by three more political tangents, everyone started wondering just how much he had to drink that night.

I’m really glad I had this opportunity, shooting at The Palace was an amazing milestone for me, as well as finding my new favorite lady singer, Ms. Phoebe Bridgers. I enjoyed Conor Oberst’s set and the memories his songs brought back for me. I always like Oberst’s brand of folksy, indie rock in the fall just a little bit extra, so starting September with this show is a very nice beginning to the season.

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